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ZERO. This is the easiest way to describe the expectations that one has from the soundtrack of Jahan Jaaeyega Hamen Paaeyega, a film for which the title itself is such a horrendous task to write, what with all the extra As and the Es! With the term dated itself sounding so dated for this Govinda starrer, one gets a strong sense of disbelief to realize that the film is eventually releasing at the theaters. The film''s sub standard promotion has not helped the cause and one wonders if the fours songs by Aadesh Shrivastava in the film would be redeeming by any means. Well, they are not redeeming, but are damaging for sure!

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Now this one is sure to have been composed at least a decade and a half back, if not more. ''Deewana Main Deewana'' written by Nusrat Badr is a kind of number that could well have been an Anand Milind reject in the early 90s. All efforts to pep up the track with those synthesizer generated continuously running beats do not help the cause either. In fact, the way Aadesh Shrivastava and Sneha Pant sing the song also make you visualize Ravi Behls, Avinash Wadhawans and Sheebas from the era that has long been forgotten. Just not happening!

The opening arrangements of ''Banda Ye Jaanbaz Hai'' take you all the way back to Anari No. 1, Joru Ka Ghulam and Hadh Kardi Aapne days. And mind you, we are not even talking about the soundtracks from David Dhawan films. Ok, so Aadesh may be expecting a pat on his back for modulating his voice between ''Deewana'' and ''Banda'' but that is hardly any consolation.

A stage track that seems to have been set for the film''s climax, this Dev Kohli track again follows the early 90s path and is a reject within 2 minutes of it''s playing time. A vociferous song that revolves around a man looking for his target, it is situational to the core and just not the kind that you wish to invest any more time after reading this review.

Nusrat Badr returns with ''Na Choo Na'' which is set as a poor man''s ''Nimbooda''. Based on Rajasthani folk music, this Udit Narayan/Sunidhi Chauhan song is rooted in flavor and can at least be given a hearing, though on a strictly comparable note with the songs that one had heard earlier. Nevertheless it is nice to hear the voice of Udit Narayan who is hardly on the scene today and would have crooned this track in his heydays.

Aadesh returns behind the mike for the last track of the album, ''Saala Gaya Kaam Se'', where one is turned off by the title itself. Written by Janmendra Ahuja, who is also the director and one of the leads in the film, the song is one of the most horrific tracks ever heard. Poor, simply poor! It has shrieks and screams, and lyrics like ''Maut Aati Hai, Jaan Jaati Hai'', as the narrative wanders around a group of young men who are roaming around the streets in the night and are challenging anyone to come and take them on. Well, can someone lock them up all please?

JJHP can easily make it to the Top-5 worst albums of 2007 so far. In fact with some more awareness, it could even be in the Top-3! Need we say more?